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Sound-Shadows of the New World

New Found Land

Guardian (London)

May 22, 1986

by Michael McNay

Review of Sound-Shadows of the New World by Ved Mehta


When Ved Mehta left Arkansas School for the Blind, one of the teachers asked him: “Son, what’s the most precious thing you’re taking from us?” Ved Mehta answered: “Mobility.”

This story comes at the end of his fifth volume in the family history-cum-autobiography. Judging by earlier volumes, mobility was never much of a problem. Mehta went blind during a bout of meningitis at the age of four, but when he was 10, for instance, he was able to ride a bike about as freely as most sighted boys. But mobility takes on different hues, and in Little Rock, Mehta learned mobility in social intercourse and in dealings between the sexes.

Little Rock had the only school for the blind in the United States that would accept an Indian boy of no academic attainments, and in India itself there were no specialist schools for the blind at all. So the 15-year old Ved was dispatched from the bosom of a close Punjabi family.

All the adventures befell Ved that might befall a youngster from a strange culture, separated from family, struggling with an unfamiliar language. The two travelling companions to whom Ved’s father committed him at the airport in New Delhi abandoned him from take-off. Ved’s baggage was rifled on his way to the States. He arrived at Little Rock days too early and was abandoned to his thoughts and a lonely dormitory.

At first Ved and his father ("Daddyji" of the first of these five volumes) worried that Little Rock might be a school for blacks. Totally blind, Ved made an inquiry as delicately as he could of one of his partially sighted school friends, to be informed that Ved himself wasn’t all that white, at which Mehta solemnly explained the difference between the black Dravidian Indians of the South and the pale Aryan Indians of the North.

Like Dickens, Mehta publishes his works as he goes along (in The New Yorker). Unlike Dickens, the humour in Mehta, and the pathos, shines out of the extraordinarily plain surface of the prose. We leave Mehta at the end of this book at the age of 19. Presumably the work could continue until, very nearly, his dying day. We must hope so.

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